36I Let My Hair Loose: Protest Series I (2010)
Anoli Perera (b. 1962)
Inkjet on Hahnemuhle paper
Collection and Courtesy Museum of Art and Photography
(MAP), Bangalore.
Gift of the artist
First exhibited: ‘Theertha Artists’, 1 Shanthi Road Studio Gallery, Bangalore, India, 2011
This series of works was inspired by the artist’s childhood memories of her grandmother’s house where she recalls seeing photographs of her female ancestors. In common with studio portraiture from the early 1920s, these photographs depicted their sitters in formal poses, looking directly and impassively at the camera. Perera is interested in exploring how such images objectified women and how the medium of photography helped perpetuate the colonial gaze. By recreating similar portraits, the artist, in contrast, depicts their female subjects within domestic interiors, facing the camera with their hair untied obstructing their faces. Perera’s constructed photographs play with the subject’s refusal to be seen and therefore desired by the camera and in turn the gaze of the spectator. The triptych evokes the symbolic association between unruly behaviour and unkempt hair as a counterpoint, or protest, against the voyeuristic gaze of early colonial photography.
Gallery 1
Home, Land, Survey, Country
3GPS Drawing: Jaffna to Delft, 9.30 am to 10.30 am, Boat, 10 Feb 2015 (2015)
Muhanned Cader (b. 1966)
4GPS Drawing: Jaffna Hostel (Kalviyankadu) to Ramanathan Academy (Maruthanarmadam), Three-wheeler, 12 km, 26 April 2012 (2012)
Muhanned Cader (b. 1966)
5GPS Drawings, England 2011, Oxford to Paddington, Train, 1.01 pm to 2 pm, 2011 (2011)
Muhanned Cader (b. 1966)
7GPS Drawing: Kudirimale to Wilpattu National Park Gate, 53km, 1.40 pm to 5.40 pm, Jeep, 7 October 2017 (2017)
Muhanned Cader (b. 1966)
8GPS Drawing: Fuengirola to Córdoba, 8.30 am to 11.18 am, Bus, 9 August 2017 (2017)
Muhanned Cader (b. 1966)
9GPS Drawing: Babaragasthalawa to Kumana campsite, 10 km, 1.15 hr, Jeep Toyota 4×4, June 2011 (2011)
Muhanned Cader (b. 1966)
16If You Boycott the Elections the Penalty Is Death, PRRA, Peoples Revolutionary Red Army, Galle (1989)
Stephen Champion (b. 1959)
17Corridors of Power: Drawing and Modelling Sri Lanka’s Tryst with Democracy (2015)
Channa Daswatte (b. 1965), Sanjana Hattotuwa (b. 1977), Asanga Welikala (b. 1976)
20Ceylon Since Soulbury Part I: A History in Cartoons by Collette (1948)
Aubrey Collette (1920–1992)
Gallery 2
Gaze, Self, Portrait
Gallery 3
Landscape / Landscapes, Territory
Gallery 4
Loss, Belief, Mourning
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