67Rest (2012)
Manori Jayasinghe (b. 1972)
Safety pins
Collection the artist
First exhibited: ‘New Works’, Theertha Red Dot Gallery, Colombo, Sri Lanka, 2012
For many years Manori Jayasinghe has used the commonplace safety pin to create sculptural forms that explore issues of vulnerability and danger. Using the pin as if it were a piece of thread, she weaves them into surfaces, creating forms that are at odds with the implicit danger embodied in the physicality of the safety pin. In works such as ‘Rest’ and ‘Cradle’, she creates pieces that perpetually oscillate between objects of comfort and hazard. On National Women’s Day in March of 2009, the artist created a ring using a combination of brass and stainless steel safety pins, that radiated like blades. Like ‘Rest’ and ‘Cradle’, it recognises how women’s rights and the violence they endure continue to be major political issues in the 21st century. Recently the safety pin has come to be worn as an international symbol of solidarity with minorities, refugees and immigrants.
Gallery 1
Home, Land, Survey, Country
3GPS Drawing: Jaffna to Delft, 9.30 am to 10.30 am, Boat, 10 Feb 2015 (2015)
Muhanned Cader (b. 1966)
4GPS Drawing: Jaffna Hostel (Kalviyankadu) to Ramanathan Academy (Maruthanarmadam), Three-wheeler, 12 km, 26 April 2012 (2012)
Muhanned Cader (b. 1966)
5GPS Drawings, England 2011, Oxford to Paddington, Train, 1.01 pm to 2 pm, 2011 (2011)
Muhanned Cader (b. 1966)
7GPS Drawing: Kudirimale to Wilpattu National Park Gate, 53km, 1.40 pm to 5.40 pm, Jeep, 7 October 2017 (2017)
Muhanned Cader (b. 1966)
8GPS Drawing: Fuengirola to Córdoba, 8.30 am to 11.18 am, Bus, 9 August 2017 (2017)
Muhanned Cader (b. 1966)
9GPS Drawing: Babaragasthalawa to Kumana campsite, 10 km, 1.15 hr, Jeep Toyota 4×4, June 2011 (2011)
Muhanned Cader (b. 1966)
16If You Boycott the Elections the Penalty Is Death, PRRA, Peoples Revolutionary Red Army, Galle (1989)
Stephen Champion (b. 1959)
17Corridors of Power: Drawing and Modelling Sri Lanka’s Tryst with Democracy (2015)
Channa Daswatte (b. 1965), Sanjana Hattotuwa (b. 1977), Asanga Welikala (b. 1976)
20Ceylon Since Soulbury Part I: A History in Cartoons by Collette (1948)
Aubrey Collette (1920–1992)
Gallery 2
Gaze, Self, Portrait
Gallery 3
Landscape / Landscapes, Territory
Gallery 4
Loss, Belief, Mourning
Support Us
Support us to create Sri Lanka’s first publicly accessible museum of modern and contemporary art.
The Museum of Modern and Contemporary Art Sri Lanka invites you to get involved through becoming a member or making a donation to our activities. Join Us